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Contempt

by Couch Slut

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1.
Funeral Dyke 04:44
Dressed like that at a funeral You’re gonna give someone the wrong idea You’re getting excited You’re getting excited by all the death You’re a funeral lesbian Get your clothes off Get it wet You disgust me when you’re wet Get your face down in the dirt I will fuck you Now you’re dirt
2.
When sinking through every step, crippled then spilled and wiped down on the walk “Never would get through black the way is shrouded in ice and snow.” All he had four words, Thuriot a million waters breaking down vermillion way When freezing on the bathroom floor with Dust-Off the crows can pick at my skin I can hear dogs bark in the ugly morning barking in front of their masters’ houses All he had, four words, “It’s up to you” when he snatched the can right out of my hand on the bathroom floor, “It’s never been you.” Head Head Head
3.
Penalty Scar 04:40
There’s a circus on Mars A cloud of witnesses A dancing hazard light A laughing eidolon Midnight seance going vision Get in You have earned your penalty scar Twist it in You have earned your penalty scar Yeah, you have The lights are going Get in A laughing penitent Fleshed out perfected Marauding imbecile Piteous maggot A dancing hazard light Fields of Orion A hidden opening I can crawl into Burning fields after you’re cut
4.
I’m stuffed up my spine Now lay down for the just behind This is what I know Defanged hideous maw gapes open January January January January A snake
5.
And they would kick me in the head If I turned to see what the fuck he was doing I don’t know why I was so interested in specifics He took me down with a knife to my throat He said, “Don’t you say a fuckin’ word.” So I stared at the floor and tried to relax The whole thing was quieter than I expected Goddamn summer smiles Our summer It’s not there anymore A smile so wide I can’t believe it was real Deserting life petrified en beteg gondolatok I can feel it pressed against my throat When I close my eyes I liked it.
6.
Folk Song 06:45
In the glade where a cut up bitch with blood upon her face turned into a cavalcade epicurean waste In downer’s glade submission. In downer’s glade gutted subhuman Animal pleasuring fucking that mouth you cut up bitch Al-anon worshipping gutted subhuman waste of flesh
7.
Won't Come 09:24
I wanted to tell you how struck I was by the woman from Daugavpils who appeared in the showstone you presented last we gathered at this forum I was struck by the pitching ruel the shards of sidereal damask the shroud of disappearing ice she wore as she was pitching toward the Levant I’d like to see her again in the amber I wouldn’t mind feeling her skin through lace and smelling wet gunpowder Is her second sight like mine, Kyrios? Is her second sight like mine, you Valkyrie? Will I see my mother and father there? No. No. No. I’m ashamed She was brought up Lutheran and we’d never met before I was pitching toward the Levant but crying out always for the owl’s blood. In the summer you found cruel Knowing full well I won’t come back I put you deep in the ground.

about

From Brooklyn, New York, Couch Slut shook the underground in 2014 with the release of its debut, My Life as a Woman. Stereogum called that album "engagingly smart and terrifyingly blunt" and pegged the sound as "a little bit Oxbow and a little bit Today Is the Day during the AmRep years... It's catharsis through pain, both for the listener and the band. But it's also smart in the way it sets expectations and subverts them."

New album Contempt carries on in this fashion – Couch Slut's savagery and intelligence are both in full effect, adding up to an album that thrills on two levels. Opening track "Funeral Dyke" sets the tone, with a skronking saxophone buried under a grimy, blackened, noise-rock blitz. Later in the song, a tambourine rattles along happily with the beat as vocalist Megan Osztrosits screams, "I will fuck you, now you're dirt!"

Contrasts such as those on display in "Funeral Dyke" are what make Contempt the engrossing, dynamic affair that it is. The band's foundation rests on the scorched earth between Unsane's pounding NYC hate-rock and Darkthrone's mournful metal, but Contempt is filled with surprises. The songs are peppered with odd instrumentation – the aforementioned saxophone and tambourine, as well as tuba, trombone, accordion, viola, and concert bells – and tend to begin on one path and end on another. A cold dirge erupts into a chugging thrashfest; a sludgy rocker slides into a wistful jam recalling Sonic Youth's more tender moments.

A consistent force throughout the album is Osztrosits' wild-eyed, hair-raising voice. Harsh and unsettling, every snarled word slashes at nerves. Atop the twisting, writhing, and rocking of guitarist Kevin Wunderlich, bassist Kevin Hall, and drummer Theo Nobel, her confessional lyrics paint horrific pictures of "anger, depression, terror, drug abuse, mental illness, violence, the surreal, longing, and loss."

Contempt was recorded by Couch Slut's Kevin Wunderlich and Amy Mills. It was mixed by Caley Monahan-Ward (Extra Life, Voice Coils) and mastered by James Plotkin (Khanate, Sumac).

The cover art was created by Leandro De Cotis, the artist behind the X-rated My Life as a Woman cover which sparked many discussions upon its release.

Sporting brains and brawn, Couch Slut makes music that punches the gut and stimulates the mind. Contempt's harrowing version of rock reflects its hometown – dirty, dangerous, dazzling – and secures the band's place in the line of great NYC documentarians, from Sonic Youth to Swans, from Unsane to Pyrrhon.

credits

released July 28, 2017

Originally Released by Gilead Media in 2017
Reissued 2023 via Brutal Panda Records
www.brutalpandarecords.com
brutalpandarecords.bandcamp.com

Lineup:
Megan Osztrosits - vocals
Kevin Wunderlich - guitar
Kevin Hall - bass
Theo Nobel - drums

Recorded by Kevin Wunderlich and Amy Mills
Mixed by Caley Monahan-Ward
Mastered by James Plotkin

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Couch Slut New York, New York

Putrid, drug-fueled gutter rock from the filthy streets of NYC. NSFW.

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